Avant-Garde Film: Forms, Themes and Passions (Short Cuts) - download pdf or read online

By Michael O'Pray

ISBN-10: 1903364566

ISBN-13: 9781903364567

Avant-Garde movie: kinds, issues and Passions examines the diversity of issues and practices that experience comprised the lengthy historical past of avant-garde movie at a degree applicable for undergraduate examine. It covers the advancements of experimental film-making because the modernist explosion within the Nineteen Twenties in Europe via to the Soviet movie experiments, the yankee Underground cinema and the French New Wave, structuralism and modern gallery paintings of the younger British artists. via in-depth case-studies, the ebook introduces scholars not just to the historical past of the avant-garde but additionally to various analytical methods to the flicks themselves - starting from abstraction (Richter, Ruttmann) to surreal visions (Bunuel, Wyn Evans), underground subversion (Jack Smith, Warhol) to experimental narrative (Deren and Antonioni).

Show description

Read or Download Avant-Garde Film: Forms, Themes and Passions (Short Cuts) PDF

Similar film books

Download e-book for kindle: American Horror Film: The Genre at the Turn of the by Steffen Hantke

Creatively spent and politically inappropriate, the yankee horror movie is an insignificant ghost of its former self-or so is going the previous observed from fanatics and students alike. taking up this undeserved attractiveness, the members to this assortment supply a finished examine a decade of cinematic construction, protecting a large choice of fabric from the final ten years with a transparent severe eye.

Individual essays profile the paintings of up-and-coming director Alexandre Aja and think again William Malone's muchmaligned Feardotcom within the mild of the torture debate on the finish of President George W. Bush's management. different essays examine the industrial, social, and formal features of the style; the globalization of the U. S. movie undefined; the alleged escalation of cinematic violence; and the large advertisement approval for the remake. a few essays study particular subgenres-from the teenage horror flick to the serial killer movie and the religious horror film-as good because the carrying on with relevance of vintage administrators comparable to George A. Romero, David Cronenberg, John Landis, and Stuart Gordon.

Essays planned at the advertising and marketing of nostalgia and its concomitant aesthetic, and the apparently schizophrenic point of view of fanatics who occur to be students besides. Taken jointly, the individuals to this assortment make a compelling case that American horror cinema is as very important, artistic, and thought-provoking because it ever was.

Encyclopedia of the Documentary Film (Volume 1, A-G) - download pdf or read online

The Encyclopedia of the Documentary movie is a completely overseas reference paintings at the background of the documentary movie from the Lumière brothers' employees Leaving the Lumière manufacturing unit (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia presents a source that severely analyzes that heritage in all its points.

Get On Film-Making PDF

Hugely praised via James Mangold and different ex-students, Alexander Mackendrick's time at Cal Arts led to a set of mimeographed papers and illustrations that experience ultimately made it into print. the 1st 1/2 the e-book gathers Mackendrick's lectures on screenplay writing; the second one part is extra usually approximately movie reports.

Download e-book for kindle: Richard Linklater (Contemporary Film Directors) by David T. Johnson

An incisive research of a favored American filmmaker.

Richard Linklater's filmmaking offerings appear to defy easy styles of authorship. From his debut with the creative self sufficient narrative Slacker, the Austin-based director's divergent motion pictures have integrated the sci-fi noir A Scanner Darkly, the socially unsleeping quick nutrients state, the kid-friendly the varsity of Rock, the teenager ensemble Dazed and pressured, and the dual romances ahead of dawn and ahead of sundown. but all through his various occupation spanning 20 years, Linklater has maintained a feeling of integrity whereas operating inside of a large diversity of budgets, genres, and topic matters.

Identifying a serious commonality between rather a lot edition, David T. Johnson analyzes Linklater's preoccupation with the idea that of time in lots of of his movies, targeting its many varieties and features: the subjective adventure of time and the customarily specific, self-aware ways in which characters talk about that have; time and reminiscence, and the ways in which characters negotiate reminiscence within the current; the moments of formative years and early maturity as the most important moments in time; the connection among time and narrative in movie; and the way cinema, itself, can be changing into antiquated. whereas Linklater's specialize in temporality frequently consists of a party of the current that isn't divorced from the earlier and destiny, Johnson argues that this attendance to the current additionally comprises an ongoing critique of contemporary American tradition. Crucially filling a niche in severe experiences of this American director, the amount concludes with an interview with Linklater discussing his occupation.

Additional info for Avant-Garde Film: Forms, Themes and Passions (Short Cuts)

Sample text

Sitney states that ‘the recurrent theme of the American avant-garde film is the triumph of the imagination’ (1974: 115), thus establishing a way of reading these films within a tradition that is only modernist at the edges, or at least, sees modernism as a moment in a much broader tradition – romanticism. Given the impact of abstract expressionism with its visionary and intensely subjectivist aesthetic in post-war American visual culture, Sitney’s interpretation is not a wayward one but in many ways fitting with American visual arts in the 1940s and 1950s.

In this sense Eisenstein is more profoundly anti-humanist than a clearcut constructivist like Vertov (see Michelson 1984; Petric 1987). indd 31 9/6/07 5:10:59 pm SHORT CUTS compositional strengths are most apparent in a film in which his aesthetic is probably at its weakest. Dziga Vertov Vertov’s films are usually described as constructivist and hence modernist in their sensibility. Not only do they exemplify a constructivist visual style but they are largely documentaries – films about the contemporary Soviet Union, dedicated to celebrating not the historical forces which led to the Russian Revolution but the daily life of the country and its inhabitants.

Grierson shot Granton Trawler himself. It was edited by Edgar Anstey and the powerful soundtrack constructed by Cavalcanti (see Aitken 2000: 74–7). It is a superb example of the poetic-montage style influenced by the Soviet school but with its own down-to-earth lyricism distancing it from the widerembracing monumentality of, say, Vertov’s Enthusiasm (1930). The credits come up to the sound of a sea shanty followed by a medium shot of the boat in dock and then a close-up of its prow, followed by a shot of it already at sea.

Download PDF sample

Avant-Garde Film: Forms, Themes and Passions (Short Cuts) by Michael O'Pray

by John

Rated 4.97 of 5 – based on 10 votes