Get Brian De Palma's Split-Screen: A Life in Film PDF

By Douglas Keesey

ISBN-10: 1628466987

ISBN-13: 9781628466980

During the last 5 many years, the flicks of director Brian De Palma (b. 1940) were one of the greatest successes (The Untouchables, challenge: Impossible) and the main high-profile mess ups (The Bonfire of the Vanities) in Hollywood heritage. De Palma helped release the careers of such renowned actors as Robert De Niro, John Travolta, and Sissy Spacek (who used to be nominated for an Academy Award as most sensible Actress in Carrie). certainly Quentin Tarantino named Blow Out as one in every of his best 3 favourite motion pictures, praising De Palma because the top dwelling American director. Picketed by way of feminists protesting its depictions of violence opposed to ladies, Dressed to Kill helped to create the erotic mystery style. Scarface, with its over-the-top functionality by way of Al Pacino, continues to be a cult favourite. within the twenty-first century, De Palma has persisted to scan, incorporating parts from videogames (Femme Fatale), tabloid journalism (The Black Dahlia), YouTube, and Skype (Redacted and Passion) into his most recent works. What makes De Palma any such maverick even if he's making Hollywood style motion pictures? Why do his video clips frequently characteristic megalomaniacs and failed heroes? Is he in basic terms a misogynist and an imitator of Alfred Hitchcock? to respond to those questions, writer Douglas Keesey takes a biographical method of De Palma's cinema, displaying how De Palma reworks occasions from his personal existence into his movies. Written in an obtainable sort, and together with a bankruptcy on each one of his motion pictures up to now, this booklet is for an individual who desires to comprehend extra approximately De Palma's arguable movies or who desires to larger comprehend the guy who made them.

Show description

Read Online or Download Brian De Palma's Split-Screen: A Life in Film PDF

Similar film books

Download e-book for iPad: American Horror Film: The Genre at the Turn of the by Steffen Hantke

Creatively spent and politically inappropriate, the yankee horror movie is a trifling ghost of its former self-or so is going the previous observed from lovers and students alike. taking up this undeserved attractiveness, the participants to this assortment supply a accomplished examine a decade of cinematic construction, masking a large choice of fabric from the final ten years with a transparent severe eye.

Individual essays profile the paintings of up-and-coming director Alexandre Aja and think again William Malone's muchmaligned Feardotcom within the mild of the torture debate on the finish of President George W. Bush's management. different essays examine the industrial, social, and formal features of the style; the globalization of the U. S. movie undefined; the alleged escalation of cinematic violence; and the big advertisement approval for the remake. a few essays study particular subgenres-from the teenage horror flick to the serial killer movie and the religious horror film-as good because the carrying on with relevance of vintage administrators comparable to George A. Romero, David Cronenberg, John Landis, and Stuart Gordon.

Essays planned at the advertising and marketing of nostalgia and its concomitant aesthetic, and the apparently schizophrenic standpoint of enthusiasts who ensue to be students besides. Taken jointly, the members to this assortment make a compelling case that American horror cinema is as very important, inventive, and thought-provoking because it ever was.

's Encyclopedia of the Documentary Film (Volume 1, A-G) PDF

The Encyclopedia of the Documentary movie is an absolutely overseas reference paintings at the background of the documentary movie from the Lumière brothers' employees Leaving the Lumière manufacturing facility (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia presents a source that severely analyzes that background in all its points.

Download e-book for kindle: On Film-Making by Alexander Mackendrick

Hugely praised via James Mangold and different ex-students, Alexander Mackendrick's time at Cal Arts led to a set of mimeographed papers and illustrations that experience eventually made it into print. the 1st 1/2 the publication gathers Mackendrick's lectures on screenplay writing; the second one part is extra commonly approximately movie stories.

Download e-book for iPad: Richard Linklater (Contemporary Film Directors) by David T. Johnson

An incisive research of a favored American filmmaker.

Richard Linklater's filmmaking offerings appear to defy simple styles of authorship. From his debut with the artistic self sufficient narrative Slacker, the Austin-based director's divergent movies have incorporated the sci-fi noir A Scanner Darkly, the socially wide awake quick meals country, the kid-friendly the college of Rock, the teenager ensemble Dazed and careworn, and the dual romances ahead of dawn and prior to sundown. but all through his assorted profession spanning 20 years, Linklater has maintained a feeling of integrity whereas operating inside a large diversity of budgets, genres, and topic matters.

Identifying a serious commonality between a lot version, David T. Johnson analyzes Linklater's preoccupation with the concept that of time in lots of of his motion pictures, concentrating on its many kinds and elements: the subjective event of time and the usually specific, self-aware ways in which characters speak about that have; time and reminiscence, and the ways in which characters negotiate reminiscence within the current; the moments of formative years and early maturity as the most important moments in time; the connection among time and narrative in movie; and the way cinema, itself, will be turning into antiquated. whereas Linklater's specialize in temporality frequently includes a party of the current that's not divorced from the earlier and destiny, Johnson argues that this attendance to the current additionally contains an ongoing critique of contemporary American tradition. Crucially filling a niche in severe reports of this American director, the amount concludes with an interview with Linklater discussing his occupation.

Additional info for Brian De Palma's Split-Screen: A Life in Film

Example text

Now he is the object of her eyes, of the camera’s gaze, and of the blade’s thrust (as Otto has her dead hand stab him with it). The ice-pick now comes at Chris, as seen from his point of view. In a sense, then, what the film allows this director to see is a blinding truth: his voyeuristic objectification of women is not only a kind of murder, but it also cannot fail to rebound upon himself. In denying them their humanity, he deprives himself of his own. Shot on a shoestring budget ($25,000) over a period of a mere eleven days in 1966, Murder à la Mod did not see its premiere until two years later.

Rather than annihilating the woman from his invisible position of maximum strength, Jon risks being seen as he reaches out to her. As a move toward connection, it isn’t much, but under the circumstances, it is remarkable. Greetings was De Palma’s first critical and commercial success: it won the Silver Bear jury prize at the Berlin Film Festival, and it returned more than a million dollars on its $43,000 investment. Variety wrote that the three actors playing the film’s “freewheeling anti-heroes .

This was shown up-close in an image on the right, whereas the left side presented a more distant image of the same thing, as if Pentheus were torn between taking part and holding back, between self-abandon and self-consciousness. Eventually, he separates himself from female flesh. While the left image continues to reveal the crowd’s frenzied dancing, Pentheus now stands alone on the right, holding his hands in front of his genitals, as the camera zooms in on his grimacing face, showing him as isolated from the others’ commingling.

Download PDF sample

Brian De Palma's Split-Screen: A Life in Film by Douglas Keesey


by Brian
4.3

Rated 4.58 of 5 – based on 8 votes